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Reviving Creativity: My Journey Back to Writing

After a little hiatus where I did a little more (creatively, that is) than post my daily outfits on TikTok, which was quite fun actually, I’m finally getting back to business and back into writing. Honestly, I needed a break, and now that my creative coffers are full again, I’m thrilled to share this new book that I started maybe three(?) years ago as a serial for the short-lived Kindle Vella. After reworking it a bit, I’m proud to get this baby out there. Black and Blue Ivy is a YA gothic story about a girl who travels from the tough streets of Kensington, Philadelphia, to a home for wayward girls, then eventually lands in Providence House, the sprawling estate of a wealthy family in Philadelphia’s Main Line. If you know anything about gothic novels–especially the V.C. Andrews ones, which were an inspiration for this book–then you’ll know that’s when the trouble for our main character really begins. 

There are religious themes in this story, which reflect–and challenge–my own Catholicism. I was thrilled to see the book reach #1 New Release in Teen and Young Adult Christian Social Fiction. I didn’t even know there was such a category, but I’ll take it. Please note, there is nothing preachy or proselytizing about this work, so atheists and other (fill in the blank) are welcome to partake. If there is a religious theme, it has more to do with examining and weeding out hypocrisy than anything else. I strongly believe writers should explore ideas that are important to them. That what makes a voice unique and interesting.

There is a disturbing trend in publishing today where it’s all about hitting the right “tropes.” If I’m not mistaken, “trope” used to be considered a negative term, a cliché, but it seems to have evolved to be synonymous with conventions, which is the term I prefer. I used plenty of gothic conventions in Black and Blue Ivy: the Jane Eyre orphanage and awful neglect, the tony mansion hiding diabolical secrets, the creepy housekeeper, the list goes on. My homages to V.C. Andrews, including a metaphor of powder sugar on doughnuts, abound. There’s also an attic or two. But this story is my own, meaning it comes from my own twisted (at times) heart. I’ve certainly given it my own spin, and with so many changes happening in publishing: the seemingly almost daily AI scandals, the bizarre AI witch hunts on Threads, the fact that “tropes” seem to be telling the stories, not the writer/creator, and the head scratching that goes along with why the hell is this book popular–yes, Romantasy I’m looking at you! Well, you get the picture. 

I needed the break, and I’m excited to be creating again. I’m heading over to my studio this morning to record my first YouTube video in about six months. It’s good, no, it’s great to be back! 

*Watch my first video in six months:

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My Midnight AI Confession

Back when we were shooting Gemini Rising during the digital stone age, I recall the habitual stoner guitarist Jah (beautifully portrayed by Matt Fischer) improvising a line of dialogue that proved to be quite prescient nearly twenty years later. 

AI has become inevitable, and, like the switch from vinyl to cassette, I’m not sure how I feel about it. The problem is, no one asked me then, and certainly no one cares now.

It’s everywhere and has been for a while. But more and more, I see it encroaching on the creative space like some kind of Cthulian (try writing that one without spellcheck) vaporous monster. Apparently, you can write an entire shitty (romance? tee-hee) novel using it, upload it to Amazon along with an equally shitty cover, and rake in the cash. As an indie author who’s yet to hit “Shrimp” status on the 20Bookto50K Facebook Group, it’s, frankly, tempting to create a new pen name, feed the A.I. monster, and have it spit out next month’s PECO bill.

There’s only one big problem with that: it’s not why I write, not why I create. To quote a genius who’s inspired centuries of writers: I cannot heave my heart into my mouth enough to fake that. And also, I enjoy the writing process too much to take that leap.

So, have I ever used AI? Full disclosure, yes! I’ve run my prose through Grammarly for years. It’s good at catching errors that slip by my blind spots, although I typically ignore its stylistic suggestions. And most recently, I’ve asked Chatgpt to “tighten” the ad copy for some of my Facebook posts, and although it’s been enlightening to see how much I suck at writing ad copy for my own books–much too humble and beseeching, I see how my friendly chatbot assistant could be as seductive as a gorgeous secretary in a sleazy 70s potboiler when it comes to “expanding my ideas.” So far, I’ve resisted, although a reviewer recently accused me of using it in a book written before I’d ever heard of generative AI. For the record, I’ve always used em dashes (although I prefer parentheses). 

It’s a weird time, and I’m not militant, like some of my peers, about other authors using it. I get it, and I also get that books written by real people are better. And speaking of sleazy 70s potboilers, I’m currently chewing my way through a well-thumbed copy of Sidney Sheldon’s The Other Side of Midnight and loving every minute of it. 

Okay. One last AI confession. While burning the midnight oil the other night, I cheekily asked ChatGPT to create a portrait of the characters from my soon-to-be-released novel, Black and Blue Ivy. I fed it the character descriptions, asked it to make a picture resembling an old V.C. Andrews cover, and this is what it spit out. And frankly, I’m astonished (and frightened) at how closely these characters resemble the ones formed in my head now committed to the page. Dare I use this image in my promotional materials? 

I admit, it’s tempting. Would I prefer hiring a real artist for the job? If I had thousands of extra dollars lying around I would, but I’m already spending hard-on money on actual cover designers, line editors, ad creators–real people with real skills whom I’m happy to hire for the job. But this picture is so cool. It sums up the theme and style of my story so well, and if it got eyeballs on my book… Again, seductive.

As you can plainly see, I’m somewhat torn. Are the La Résistance authors who blatantly refuse to engage in anything AI and who love to call out anyone who does the true heroes, or are their careers destined to perish on the barricades while the robots take over?

I don’t know, and I’m frankly a bit scared to find out. In the meantime, I’d love to hear your honest thoughts about this topic. 

*No AI was used to write this post. All awkward phrasings and clunky metaphors are my own. 

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Call for Submissions – Book Worms #11

Book Worms Horror Zine – Summer Edition

Pack your poisonous bug spray, your Blair Witch map, and your messiest mess kit—then join us for our campiest issue yet!

This summer, Book Worms Horror Zine is heading to camp, and we want your creepiest, campiest horror stories to share around the fire. We’re talking classic summer scares like Friday the 13thSleepaway Camp, and The Evil Dead—but don’t be afraid to blaze your own twisted trail. Conjure a new type of monster crawling up from the pond scum, turn a Kumbaya sing-along into an alien abduction, or dream up something so strange and disturbing we’ll never leave home again.

So…

stoke the fire, sharpen your pencils, and tell us a tale that’ll have us sleeping with one eye open in our sleeping bags.

Submission Guidelines:

Please read ALL before submitting! You’d be amazed (we are) how many great stories are turned away each submission period because writers fail to follow the rules. Please don’t waste your (and our) time and stick to the following…

Deadline: June 15, 2026 (must be received by deadline, so please mail early).

Word Count: 1500 words or less (we mean it).

No reprints, please. Exclusive print rights for six months after publication.

Payment is 8 cents a word for fiction and non-fiction, $25 for poems 20 lines or less.

ACCEPTING MAIL-IN SUBMISSIONS ONLY! (*see exception below)

Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

Decision notices are sent through email so there is no need to include a self-addressed, stamped envelope. Please include your email address and your mailing address with your submission. All submissions must be typed (cover letters preferred but not mandatory) and be properly formatted. Also, if you have a social media presence, please include those beneath your email.

Be sure to:

  • Send only one submission, meaning don’t send multiple short stories or poems or a combination of both. Send only one piece and send your best.
  • DO NOT send your submissions using registered mail or any kind of correspondence requiring a signature. It probably won’t get to us and you’ll be wasting your money.
  • *If you’ve had work previously published in Book Worms (you know who you are) you may email your submission to bookwormssubmissions@gmail.com (same deadline) Please write Returning Author Submission in the subject line.
  • Please use the EXACT mailing address listed above. Please don’t write Book Worms on the address. This is a side project and our mailman might get confused. The mailbox is in a huge industrial complex and unfortunately, letters have gotten lost in the past, so please follow the instructions and mail as early as possible.

We can’t wait to gather ‘round the fire and read your tales. Curious what’s lurked in our pages before? Check out Book Worms Horror Zine.

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Chilling Holiday Stories

The Victorian custom of gathering family and friends to read (and likely reread) ghost stories is a holiday tradition I wholeheartedly embrace. There’s something about winter’s deep darkness that coaxes phantoms both within and without. Each year, I honor this deliciously eerie ritual by reading creepy tales—usually Poe—in my Haunted Library. Here’s the sample if you’d like to take a look.

In that same spirit, I’ve just released a collection of twisted Christmas- and winter-themed short stories—including two brand-new tales you won’t find anywhere else.

If you’re craving a mall Santa on a murderous rampage (and plenty more holiday mayhem), check out Nut Cracker and Other Twisted Wintry Tales, now available on Amazon Kindle in both ebook and print!

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New Release!

Starlex, my very first fantasy novel, is officially LIVE on Amazon and across major retailers in both ebook and print!

If you’re craving an action-packed adventure in the classic sword-and-sorcery tradition—complete with dragons, warring factions, and a steamy, high-stakes romance—then you won’t want to miss STARLEX.

Grab your copy and dive in!

Starlex Promo Video

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Call for Submissions!

Book Worms Issue 10 – Apocalyptic Horror!

Submission Guidelines

We’re kicking off 2026 with all the optimism of a Threads viewing—yes, the 1984 nuclear war drama, not the app.

If you recognize our Wormy cartoon to the left, then you’ve seen it—and you know. If not, buckle up. There’s a reason it’s considered one of the scariest films ever made.

For our 10th issue of Book Worms Horror Zine, we’re chasing that same level of end-of-the-world dread. If our current political climate gives you the creeps, channel it. Or take us somewhere entirely different—your own futuristic nightmare is fair game, as long as the vision is dark.

We’re looking for stories and poetry that dive into nuclear winters, climate catastrophes, algorithmic uprisings, techno-anarchy, or whatever fresh brand of apocalypse your twisted imagination can conjure.

Have fun with the devastation. We certainly will.

SUBMISSIONS GUIDELINES:

Please read ALL of the following before submitting!

Deadline: January 10, 2026 (must be received by deadline, so please mail early).

PAYMENT: 8 cents a word for fiction (1500 words or less). $25 flat fee for poetry (20 lines or less)

No reprints, please. Exclusive rights for six months after publication.

ACCEPTING MAIL-IN SUBMISSIONS ONLY! (*see exception below)

Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

Decision notices are sent through email so there is no need to include a self-addressed, stamped envelope. Please include your email address and your mailing address with your submission. All submissions must be typed (cover letters preferred but not mandatory) and be properly formatted. Also, if you have a social media presence, please include those beneath your email.

A few new things to know:

  • Send only one submission, meaning don’t send multiple short stories or poems or a combination of both. Send only one piece and send your best.
  • DO NOT send your submissions using registered mail or any kind of correspondence requiring a signature. It probably won’t get to us and you’ll be wasting your money.
  • *If you’ve had work previously published in Book Worms (you know who you are) you may email your submission to bookwormssubmissions@gmail.com (same deadline) Please write Returning Author Submission in the subject line.
  • Please use the EXACT mailing address listed above. Please don’t write Book Worms on the address. This is a side project and our mailman might get confused. The mailbox is in a huge industrial complex and unfortunately, letters have gotten lost in the past, so please follow the instructions and mail as early as possible.

Editor’s Note:

Each submission period, we have to pass on many wonderful stories—not because they lack quality, but because the authors didn’t follow the guidelines. Common issues include exceeding the word count, missing the deadline, straying from the theme, or sending work via email instead of the required method (exceptions notwithstanding).

Please don’t be discouraged if your story isn’t selected for this issue. We receive many more submissions than we can publish, and the competition is always fierce. Often, the final decisions come down to word count limits or maintaining a balance of story types. If your piece isn’t chosen this time, we hope you’ll keep writing and submitting—your voice matters, and we’d love to see your work again.

Curious about what kinds of stories we publish? Pick up a copy of Book Worms here!

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Autumn Vibes

Autumn, Are You Coming or Not?

Some autumns creep in with cool winds that grow stronger by the day, stirring up dry leaves and wistful memories that sing and crackle like a roaring bonfire. Other autumns, like the one we’re experiencing this year, cling to summer like a desperate lover, unwilling to let go of the heat. To this autumn, I say—it’s time to let go.

Better relationships await—like my new Ralph Lauren tweed blazer (snagged at a recent Nordstrom Rack sale) paired with my Vince wool sweater. Or perhaps a cozy throuple featuring jeans, my penny loafers, and a tartan wool cape? Autumn has been calling me for weeks, yet summer refuses to leave. Still, today’s rainy coolness gives me hope. It may be premature to pull my Filson waxed barn coat from the depths of the closet and tread the grounds with the hounds (do Shih Tzus count?), but I can certainly wear jeans, my short Wellies, and a light jacket. At least give me that!

Longing for my tweeds.

Today, I’m doing my annual closet switch from summer to fall, and I don’t care if I swelter for the next few weeks. At least we had a beautiful Harvest Moon the other night, and my morning bike rides have been shrouded in fog. The autumn vibes are kicking in at last, and I’ve been keeping busy—cleaning house, writing my new book, reading (currently wrapping up Vamptember), and doing some sketching. It’s nice to slow the pace when the days grow shorter.

Comforting foggy mornings.

This morning, I woke early to continue final edits on Starlex (always worth the effort—turns out I’d switched a few character names without realizing it). I was thrilled to find an early review that could only be described as glowing! I try not to let it go to my head, but it’s okay to let a little positivity galvanize the final stretch of bringing this story to life. You can pick up an ARC copy of Starlex on NetGalley or Booksprout if you’d like. It officially releases in print and ebook on November 12 (pre-order ebook now).

Coming soon!

And speaking of creations, the new Book Worms is here—and selling fast! This issue is all about folk horror, perfect for setting the spooky-season mood even if the weather isn’t quite cooperating. Do check it out, and let me know in the comments how you’re spending your autumn so far—hopefully not poolside (unless that’s your thing… in which case, I pity you—just kidding).

Obey my dog! Buy Book Worms!

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Call for Submissions for our Halloween Issue!

Theme: Folk Horror

For our next issue, Book Worms is venturing deep into the twisted roots of folk horror—that uncanny space where ancient legends, rural isolation, and old-world rituals fester just beneath the surface of pastoral charm.

Think of it like this: you and your partner leave the city behind for a peaceful life in a quaint countryside village. The air is clean, the neighbors are… unusually welcoming. Then one night, you hear drums echoing from the forest. You follow the sound. There’s firelight flickering through the trees. Chanting. Masks. A circle. And just like that, you realize you’re not the guest—you’re the offering.

Folk horror thrives on the uneasy tension between tradition and terror. Classic examples include Young Goodman Brown by Nathaniel Hawthorne, Harvest Home by Thomas Tryon, Starve Acre by Andrew Michael Hurley, and The Only Good Indians by Stephen Graham Jones. On screen: The Wicker ManThe Witch, and Midsommar.

That said, folk horror is fluid—so stretch the boundaries. Invent your own cursed villages, pagan rites, or ghost-haunted fields. Just keep it eerie, keep it folkloric, and above all, make it scary.

This Halloween, Book Worms wants stories that chill, not just charm. We’re still suckers for “fun” horror, but this issue? We’re going full nightmare.
Ready to scare us?
Send us your tale.

Deadline: September 10, 2025 (must be received by deadline, so please mail early).

PAYMENT: 8 cents a word for fiction (1500 words or less). $25 flat fee for poetry (20 lines or less)

No reprints or multiple submissions, please. Exclusive rights for six months after publication.

ACCEPTING MAIL-IN SUBMISSIONS ONLY! (*see exception below)

Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

Decision notices are sent through email so there is no need to include a self-addressed, stamped envelope. Please include your email address and your mailing address with your submission. All submissions must be typed (cover letters preferred but not mandatory) and be properly formatted.

A few new things to know:

  • Send only one submission, meaning don’t send multiple short stories or poems or a combination of both. Send only one piece and send your best.
  • DO NOT send your submissions using registered mail or any kind of correspondence requiring a signature. It probably won’t get to us and you’ll be wasting your money.
  • If you’ve had work previously published in Book Worms (you know who are) you may email your submission to bookwormssubmissions@gmail.com (same deadline) Please write Halloween Submission in the subject line.
  • Please use the EXACT mailing address listed above. Please don’t write Book Worms on the address. This is a side project and our mailman might get confused. The mailbox is in a huge industrial complex and unfortunately, letters have gotten lost in the past, so please follow the instructions and mail as early as you can.

And finally, please don’t be discouraged if your story isn’t selected for this issue. We receive many submissions for each zine and can only accept a small handful. If your piece isn’t chosen this time, we still encourage you to keep writing and submitting—your voice matters, and we’d love to see your work again.

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Summer Reading & Writing

Cabin in the Woods

I just returned from my first summer getaway—and it was lovely. I’ve been renting this cabin on Lake Nockamixon for the past few years, sometimes as a solitary retreat in the dead of winter (which is actually one of my favorite times to go). But this year, it was more of a family affair.

I grew up in the country, so it’s in my soul. Coming from a large family that could, at times, feel chaotic, I used the woods—and climbing tall trees—as my emotional escape. Nothing soothes my nerves quite like a deep, quiet forest.

Honestly, I could easily become a hermit. I dream about it constantly. Maybe my dream doesn’t include the insects or the occasional field mouse, but I’d still take that kind of pest over the human kind any day.

Am I confessing to misanthropy? Not at all. I love people—but I love solitude more. It’s just the way I’m built. We all need to honor our natures, and mine craves quiet, natural spaces for comfort and restoration.

My childhood home

Perhaps this is one reason I became an avid reader as a kid—often perched up in a tree. Escaping into fantasy might not be the healthiest coping mechanism, but it’s far less destructive than many others. Writing, self-expression, creating plays and stage personae—none of that’s really changed. They’re all ways of coping, I suppose, if you dig in a bit deeper, but I’ll save that for my therapist.

Naturally, I brought books with me to the cabin, along with my sketchbook to indulge my latent (yet still sadly undeveloped) drawing talent, and my guitar—which I barely strummed the entire time. I have a notebook full of unfinished songs, but since I’m too shy to play around anyone, so finishing them will have to wait for the next solitary retreat.

But I did read. I’m currently indulging in a Richard Laymon read-a-thon I’m hosting on my YouTube channel with some BookTube pals. Extreme horror/splatterpunk is a genre I only dip into occasionally—for obvious reasons. It’s often gross, absurd, and, yes, frequently misogynistic. So, why was I the one to suggest this read-a-thon in the first place? LOL! Who knows. Go with it. I love a good gory drive-in movie in the summer, so Laymon it is. I’m on my fourth novel this month. I’d love a dollar for every “rump” and “turgid nipple” I’ve come across, but hey—I’m having fun. I may need to cleanse my palate with a cozy mystery when it’s all over.

Long summer days tend to bring out more focused writing in me. As a lifelong early riser, I try to knock out at least a thousand words each morning on my current work-in-progress. I recently released two YA romance novellas, and I’m now finishing up Book Two of an epic fantasy series that I still can’t believe I challenged myself to write. But here we are.

That’s my summer so far—and my summer plans. But as we know, life can change in an instant. All we can do is enjoy the day we’re blessed with.

Hope yours is a good one.

New Fiction – Click to View
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Call for Submissions!

Book Worms Horror Zine Issue #8

Call for Submissions: Cryptid Horror – Summer Issue

This summer, we’re hunting monsters—and we want you to join the chase.

Our upcoming issue is diving deep into cryptid horror, where folklore meets fear and the shadows are never empty. From the fog-drenched hollows of Appalachia to the eerie stillness of primeval forests, we’re looking for stories that stir that ancient dread—the kind that makes you glance over your shoulder… just in case.

Whether it’s beasts from local legend or psychological horrors born from the depths of your own personal wilderness, we want your weirdest, wildest, and most chilling creations.

Think: backwoods folklore, eerie encounters, survival nightmares, and twisted myths.

Unleash your inner cryptozoologist and show us what’s hiding just out of sight.

Deadline: May 31, 2025 (must be received by deadline, so please mail early).

PAYMENT: 8 cents a word for fiction and essays (1500 words or less). $25 for short poems (ten lines or less), $50 for longer poems. Includes one contributor copy.

No reprints or multiple submissions, please. Exclusive rights for six months after publication.

ACCEPTING MAIL-IN SUBMISSIONS ONLY!

Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

Decision notices are sent through email so there is no need to include a self-addressed, stamped envelope. Please include your email address with your submission. All submissions must be typed (cover letters preferred but not mandatory) and be properly formatted.

Frequently Asked Question: What kind of stories are you looking for?

We generally enjoy “fun”, “80s style” horror reminiscent of the zine’s old-school vibe, but we’ve also been blown away by fresh voices that take the genre in a new direction. That being said, the best chance for your story being accepted by Book Worms is to follow the submission guidelines. Make sure your story is of the horror genre, mail in your submission versus email, meet the deadline, and don’t exceed the word count limit. And if your story doesn’t make it, please keep trying. We’ve had to turn down many excellent stories due to space constraints alone. A good way to get an idea about what we’re looking for is to read our current issue or one of our back issues that are still available.

A Few Tips:

  • Mail early. Unfortunately, we’ve had a few submissions lost in the mail and that didn’t arrive until weeks after the deadline.
  • Consider writing shorter stories. Sometimes we have just enough room to a 500-800 word flash fiction piece.

It might also be helpful to explain what we don’t want.

  • Paranormal romance (Love the genre. It’s not right for Book Worms.)
  • Beyond the pale violence or pornographic material. Keep it fun, kids.
  • Overtly political themes.