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Aldo’s Curse

A Carni Supplement Short Story

by R. Saint Claire

I caught Aldo’s eye, the one still partially open. The right eye was already purpled and crusted shut. But the eye locked on mine, his left one, glowed with fiery rage – no sign of submission despite the torture inflicted upon him.

Ciao, buffone, dove e la scherzo addesso?” rasped a voice from the crowd, followed by a clot of dung that slapped the back of Aldo’s head and made his poor old cap jingle. He still wore the costume of his trade: belled cap and motley tunic, albeit now reduced to rags and blackened with filth. Despite the defiance in his eye, the old clown had suffered from his ordeal. When they led him to the gallows, old Aldo was the very picture of the broken man. I’d tried to warn him that even if his japes against the Duke’s infidelities made the ladies titter behind their fans, the Duke was still a proud man. But Aldo went too far, comparing the Duke’s manhood to a limp sausage during the feast to Saint Giovanni Battista. After that, the Duke set his sights on Aldo’s only child, a daughter named Isabella.

It was hard to imagine how such a lovely girl sprang from Aldo’s loins, but at sixteen, Isabella’s graceful figure towered over her father. The courtiers claimed truthfully that she was the loveliest face ever to serve the Duchess’ bedchamber. But she was innocent as well as beautiful, and soon the Duke demanded she serve his bedchamber as well. The poor child fell in love with the great Francesco de Medici, and when he threw her away with a child brewing in her belly, her shame led her to fling herself in the Arno. Her death caused barely a discernable ripple in court, although behind closed doors, there was outrage. I tried to comfort Aldo, to remind him it was his job to amuse the Duke. Besides, if his daughter fell to ruin, it was his own fault. But Aldo’s countenance had traveled beyond the harbor of grief and anchored in the dark sea of wrath. His attempts at vengeance, however, were weak at best.

The two clumsy assassins he had hired now hung on either side of the scaffold. Courtiers and ladies sat on balconies facing the piazza while the crowd of peasants crushed loudly in front of the main event: the execution of Aldo, the Duke’s fool. Aldo had soothed the Duke’s childhood woes with juggling routines, accompanied him on hunting trips when he became a man and lifted the burden of rule with wit and wise counsel. And now, I watched Aldo’s legs tremble in loose hose as he climbed the wooden stairs to meet his grim fate.

The crowd hushed when il carnefice, the executioner, mounted the gallows with heavy tread. Forcing Aldo’s hands from his assumed prayer pose, he yanked the old jester’s arms behind his back. The sound of cracking bones evoked cheers from the crowd. I glanced at the Duke, whose face simmered with satisfaction behind steepled fingers. I wondered if the rape and ruin of Isabella hadn’t been enough to satisfy his lust, but I kept those thoughts to myself. I couldn’t risk my position and family’s good name for sentiments over a stupid fool.

But how hard it was to see the man strung up by his broken arms, his one shoulder bulging unnaturally from its socket, his belled slippers pitifully paddling the air. I never had the stomach for violence, hated even to hunt wild boar with the Duke, but I couldn’t run away now or even shield my face from the slow torture of a man who was once a friend to all.

A soft cry escaped the whitened lips of Lady Beatrice, who stood beside me. I caught her as she fainted, and the distraction gave me an excellent excuse to lead her to a bench away from the crowd, now cheering with the madness of the Colosseum, where martyrs’ torn limbs and spilled blood entertained the pagans of old. I asked myself if we Christians were any better now.

As the lady recovered, I was compelled stand on the bench to see what had ignited the crowd so suddenly. I shuddered to see the executioner’s knife carving a deep grin into Aldo’s cheeks. I felt like fainting myself then, especially when I saw the Duke and Duchess openly laughing at the man’s ordeal. I thought of Isabella and how her face resembled the Virgin gazing down from her lofty throne high on the cathedral’s facade across the piazza. Can no one stop this torture and just hang the man? I wanted to shout, but of course, I said nothing, only secretly praying for it to end soon.

Aldo was left to hang for a moment by his mangled arms. A hideous marionette, he pirouetted slowly from the scaffold. And with each rotation, the grin carved into his face seemed to lengthen, turn upward at the corners. I realized, with a sickening shock, that Aldo was laughing, a pealing cackle that silenced the crowd. My stomach churned when I saw his teeth shining white through the parted flesh.

Ti maledico!” Spit and blood flew from Aldo’s deformed mouth. “Vi maledico tutti!”

I curse you all!

The last words he uttered as the noose was placed on his neck, “La mia piccola Isabella,” moved a few of the crowd to pity, but only some. A group of laughing boys lit fireworks. A sudden storm scudded across the sky, the black clouds pierced by white lightning. The Duke and Duchess and their minions retreated behind the velvet curtains of the balcony door to attend to their supper. The pageant was over. Aldo was dead.

There were heavy storms for the next several days followed by oppressive heat, which caused Aldo’s bloated flesh to blacken and tear the seams of his motley garb. Even the rose gardens edging the piazza couldn’t mask the stench, and at last, the poor fool was cut down and carted away without even the dignity of a Christian burial.

Joined together by some unseen force on the fateful day, Lady Beatrice and I were married soon after. Haunted by the memories of Aldo’s ordeal, I left Florence and purchased a vineyard in the south to set up a new life. While riding out through the forest one day, I felt the devil on my back and drove my horse faster and faster until it reared up and threw me to the ground.

Shaken but unhurt, I lay on my back gazing at the sky. Among the clouds was Aldo’s face with its hideous carved grin; the treetops rustled with sinister laughter. I climbed back on my horse and rode away, but I could never escape his curse. None of us could. The Duke was impaled through the eye with his own dagger when his horse threw him some weeks later while hunting. He died in agony, followed by the Duchess, who fell into a decline and never recovered. My vineyards dried up, leaving me nearly penniless, and my dear wife died giving birth to our daughter, who joined her mother in the grave soon after. I had named her Isabella as a tribute to the old buffoon, but he would not be appeased. Aldo’s curse lingers to this very day.

La maledizione!

CARNI, a carnival horror novel by R. Saint Claire, is available in print and ebook on Amazon.

*Aldo’s Curse by R. Saint Claire Copyright @rsaintclaire 2024

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In Defense of “Unlikable” Characters

Every day (or nearly every day) on the internet, we are treated to yet another unmasking of an insufferable a-hole. It’s usually a guy, and when he’s effectively canceled, the inevitable internet auto-da-fé ensues. Until he’s forgotten about–Russell Brand, anyone? –and the next insufferable a-hole enters stage left. The main character of my latest horror novel, CARNI, is that guy. Dag Altan, a successful journalist, gets canceled after his ex-girlfriend exposes his “abusive” behavior. I’m using scare quotes because it takes two to tango, and everyone has their side to the story. And because I’m writing from my character’s point of view, I’m on his side, at least for the story’s duration. And also, because I’m a woman who’s been accused of being “too nice” in the past and have certainly been stung by a few a-holes in my day, I quite enjoyed crawling inside the skin of an arrogant man and experiencing his side of things.

While I was tapping into my shadow self, exploring Dag’s character, or lack thereof, and having a damn fun time doing it, I was aware that I was composing the dreaded “unlikable character.” Does it help that Dag gets his in the end–big time? Apparently not. The readers have spoken and, except for a few outliers: they hate my main character, and therefore, some of them don’t like my book.
Fair enough, but despite this (small) chorus of disapproval, will I censor my creative impulses moving forward and consciously create more “likable” characters? Hell, no. For one thing, I love Dag. Yes, he’s an a-hole, but he has his weaknesses: mainly women. Behind the confident veneer, he’s a scared little boy. Does that make him somewhat lovable? Apparently not. Suddenly, I’m reminded of all those romance books with the “cocky” love interest.

Anyone remember #cockygate? Why are those books featuring insufferable a-holes so immensely popular? To quote Nigel from Spinal Tap, they “did a twist on it.”

In that time-tested formula, the female character tames the wild beast, reining in his wild ways until he’s fully strapped into double harness and driven down the aisle toward wedded bliss. My story doesn’t quite turn out that way. It’s horror, which means it ends in death–like life. Mwahahaha!

Is Drac cocky?


I write flawed protagonists. I always have. It could be because I am all too aware of my own flaws, fears, and, at times, incapacitating insecurities. But these are the treasures I mine when I write. So, no. I won’t stop adding to my stable of gargoyles. I can’t wait to release the next one from their lair.
Do you require a “likable” main character to enjoy a book, or do you, like me, realize we’re all pretty unlikable at our cores? I’d love to know what you think.

Curious about CARNI? You can pick it up for FREE today on Amazon Kindle.

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New Release!

Get Your Ticket to a Terrifying Thrill Ride!

My new novel CARNI is out and available on Amazon in print and ebook. Here’s the premise:

Meet Carni, your master of ceremonies in a carnival of terror!

In the grip of public disgrace and desperate to resurrect his career, journalist Dag Altan stumbles upon a compelling lead that could be his ticket to redemption. A captivating encounter with a bewitching young woman, consumed by an eerie fascination with a once-thriving amusement park now desolate island, ignites Dag’s journalistic instincts. Drawn to the enigma of the abandoned location and the unnerving series of deaths surrounding it, Dag plunges headfirst into the heart of the story, utterly unaware of the peril awaiting him.

As his investigation intensifies, Dag becomes entangled in a treacherous web of dark secrets, where the line between reality and nightmare blurs. At the center of it all stands the elusive figure known only as Carni. Initially perceived as a mere legend, Carni soon sheds his mythical cloak, morphing into a living, breathing embodiment of terror. With each step Dag takes closer to the truth, Carni’s presence grows more palpable, and the menacing game he plays becomes grimmer.

As the carousel of confusion spins ever faster, Dag finds himself ensnared in a captivating yet chilling spectacle. Can he outmaneuver the sinister forces at play, or will he join the ranks of those consumed by the sinister grip of Carni? In this heart-stopping tale of suspense and terror, Dag Altan races against time to expose the true nature of Carni before he becomes the latest victim in this nightmare realm.

New Novel Inspirations – Carnival Horror

The new novel I’m working on, titled Carni, will be my first attempt at writing carnival horror, a sub-genre that includes killer clowns, freak shows, and tunnels of love leading straight to hell.

My story is set in South Jersey, specifically Burlington Island, 300 acres of wilderness wedged in between Jersey and PA on the Delaware River. The island has an interesting history that I’m using as a springboard for my creepy carnival story.

Burlington Island from the PA side

Called Matennecunk by the Lenape natives, the island became the location of New Jersey’s first recorded murder when two Dutchmen were slain by Lenape braves in 1671. No, my story will not include an “old Indian burial ground” filled with vengeful ghosts. I think that cliché has been done to death by now. That’s not to say I won’t be using established genre tropes because I always do. Creepy clown anyone? But I will be attempting, in my own way, to give them a fresh merry-go-round spin.

Island Beach Amusement Park

What inspired my story, besides the island itself, was that it was once the location of an amusement park called Island Beach. Judging by the old photos, it was quite a popular attraction. A fire in the 1920s ended the fun, however, and the island changed hands and purposes. It is currently owned by the state of New Jersey and is used for mining sand and gravel, thus the man-made lagoon at the island’s center. Clean-up efforts persist to this day, as do occasional exploration into the rusty relics of the island’s past lives. I’ve never set a foot on its banks, but I hope to soon. I want to absorb its essence for my story. I’ll probably absorb plenty of mosquito bites and Poison Ivy as well, but it’s all in a day’s work.

I begin my story with the fire at the carnival and who set it (all fictional). My villain is the Island Beach mascot called Carni, a killer clown inspired by Coney Island’s Steeplechase Jack—can’t tell me that grin isn’t creepy, and Alfundo, the Dorney Park mascot featured on this wonderful sign I remember from visiting Dorney as a kid. A fire in the mid-1980s destroyed most of Dorney’s original small-town charm, but the park is still there.

Dorney Park’s Alfundo

The Dorney Park fire

Creaky wooden rides erupting into sudden flames, roller coasters becoming derailed, creepy clowns with Glasgow grins, that persistent legend of the kid who lost his arm in the fun-house machinery—these are what adds those extra chills to the carnival thrills. As part of my story mapping, I’m not only recalling my own fond memories of being deliciously scared at carnivals and amusement parks, but I’m also revisiting some carnival-themed works like Dean Koontz’s The Fun House and classic horror films like Freaks and Carnival of Souls. From the unsettling strains of the calliope to the rough-trade roustabout who just might mess with the gears on that ride, there is always danger lurking within, and just outside, the midway’s colored lights. Isn’t it fun!

My latest video, adding to the discussion.