Call for Submissions – Book Worms Issue #6

All of Them Witches

As Book Worms Horror Zine enters its second year, we’re thrilled to announce that this year’s Halloween issue will be all about Witches. This time around, we’re looking for fiction, poetry, and essays of the witchy kind.

Frequently Asked Question: What kind of stories are you looking for?

We generally enjoy “fun”, “80s style” horror reminiscent of the zine’s old-school vibe, but we’ve also been blown away by fresh voices that take the genre in a new direction. That being said, the best chance for your story being accepted by Book Worms is to follow the submission guidelines. Make sure your story is of the horror genre, mail in your submission versus email, meet the deadline, and don’t exceed the word count limit. And if your story doesn’t make it, please keep trying. We’ve had to turn down many excellent stories due to space constraints alone. A good way to get an idea about what we’re looking for is to read our current issue or one of our back issues that are still available.

A Few Tips:

Mail early. Unfortunately, we’ve had a few submissions lost in the mail and that didn’t arrive until weeks after the deadline.
Consider writing shorter stories. Sometimes we have just enough room to a 500-800 word flash fiction piece.

It might also be helpful to explain what we don’t want.

Paranormal romance (Love the genre. It’s not right for Book Worms.)
Anything with a political theme.
Beyond the pale violence or pornographic material. Keep it fun, kids.

Submission Guidelines

Deadline: September 1, 2024

Payment is 8 cents a word for fiction and essays (1500 words or less). $25 for short poems (ten lines or less), $50 for longer poems. Includes one contributor copy.

No reprints or multiple submissions please. Exclusive rights for six months after publication.

ACCEPTING MAIL-IN SUBMISSIONS ONLY!

Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

*In the past, we’ve made some special allowances for writers living outside the USA. But due to the overwhelming amount of submissions we receive, we are now only accepting mail-in submissions.

Decision notices are sent through email so there is no need to include a self-addressed, stamped envelope. Please include your email address with your submission. All submissions must be typed (cover letters preferred but not mandatory) and be properly formatted.

Be sure to check out our Podcast and follow us on Instagram.

Back on Wattpad

As a proud Watty award winner, I’m happy to be back on Wattpad after a brief (roughly one year) sojourn, where I switched to Kindle Vella (see my video for more about that experience). I may move a new story back to Vella at some point. Still, for now, Wattpad continues to be my story workbook: a safe space where I can try different genres (like the fantasy duology I’m close to finishing) and receive feedback from fellow authors.

One story I recently completed, spurred on by a Wattpad novella contest, is a YA paranormal romance called Trust in the Shadows. It’s about a high school student who meets her “soul mate,” who may be her savior or just a weird guy she should avoid like the plague. The contest winner has yet to be announced, but I am proud to say the story received an Ambassadors Pick award for Round Two. Even if I don’t win, I’m glad I participated.

The contests and the camaraderie keep me coming back to Wattpad. Next on the writing docket is my new slasher horror in a setting I know well: a theater! It’s called Final Dress, and I hope to have it out this fall. Please comment below and tell me what you’ve been reading and writing.

Call For Submissions !

Book Worms Horror Zine Issue #5

Seeking short fiction for our Rock n Roll Issue! From hair-raising riffs to head-banging oblivion, horror and rock n roll are a match made in Hell! Book Worms Horror zine is a limited-edition print only publication sold on Etsy and selective bookstores.

Frequently Asked Question: What kind of stories are you looking for?

We generally enjoy “fun”, “80s style” horror reminiscent of the zine’s old-school vibe, but we’ve also been blown away by fresh voices that take the genre in a new direction. That being said, the best chance for your story being accepted by Book Worms is to follow the submission guidelines. Make sure your story is of the horror genre (you’d be surprised how many we receive that aren’t), mail in your submission versus email, meet the deadline, and don’t exceed the word count limit. And if your story doesn’t make it, please keep trying. We’ve had to turn down many excellent stories due to space constraints alone.

It might be helpful to explain what we don’t want.

Paranormal romance (Love the genre. It’s not right for Book Worms.)
Anything with a political theme. We read to escape that stuff.
Beyond the pale violence or pornographic material. Keep it fun, kids.

Submission Guidelines

Deadline: April 30, 2024

Payment is 8 cents a word for fiction and essays (1500 words or less). Includes one contributor copy.

No reprints or multiple submissions please. Exclusive rights for six months after publication.

ACCEPTING MAIL-IN SUBMISSIONS ONLY!

Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

*In the past, we’ve made some special allowances for writers living outside the USA. But due to the overwhelming amount of submissions we receive, we are now only accepting mail-in submissions.

Be sure to check out our Podcast and follow us on Instagram.

Got an Hour? Write a Story.

After a bit of a hiatus, I’m back on Wattpad. I jumped ship for about a year while I tried out Kindle Vella (I decided it wasn’t for me), and now I’m back. I may try Vella again if I have a story that will do well on that platform. I sum up my thoughts on the subject below.

One of my writing goals for the year is to honor Heinlein’s Rules and to finish what I’ve started. Hear James DeFeo, and I discuss this topic on the Writing Fiction Podcast. Like many writers, I have a desktop folder filled with incomplete outlines, false starts, and more pre-made book covers than I care to admit. But at one time, all of these ideas held enough interest for me to at least start. Instead of moving on to the next shiny object, do I have the discipline and fortitude to discover what attracted me to this idea and find fresh inspiration in a forgotten project?

If I treat each of these projects like an epic novel (I do have one of those that I plan to finish this year), I might feel overwhelmed and discouraged, but if I treat some, not all, of these half-baked ideas as orphans worthy of love, I might get somewhere. First, some of these ideas and book covers may flourish as short stories or novellas. Yesterday, while scrolling through Wattpad, I discovered a creepypasta story contest with an approaching deadline. Did any of my unfinished projects fit the bill? It turns out one did. Galvanized by the approaching deadline, I gave myself an hour to write the flash fiction story. By hour’s end, I had a 1900-word draft I was happy with. I gave it another hour for editing, and voilá, I not only completed the two-hour writing challenge I set for myself daily, but I wrote and completed a new story. Not only that, I found a home for one of my orphans.

It feels good to finish something, mainly because it helps clear the deck for a treasure trove of more shiny objects. If you give yourself an hour (or two), you have a story. You may read mine here on Wattpad.

In Defense of “Unlikable” Characters

Every day (or nearly every day) on the internet, we are treated to yet another unmasking of an insufferable a-hole. It’s usually a guy, and when he’s effectively canceled, the inevitable internet auto-da-fé ensues. Until he’s forgotten about–Russell Brand, anyone? –and the next insufferable a-hole enters stage left. The main character of my latest horror novel, CARNI, is that guy. Dag Altan, a successful journalist, gets canceled after his ex-girlfriend exposes his “abusive” behavior. I’m using scare quotes because it takes two to tango, and everyone has their side to the story. And because I’m writing from my character’s point of view, I’m on his side, at least for the story’s duration. And also, because I’m a woman who’s been accused of being “too nice” in the past and have certainly been stung by a few a-holes in my day, I quite enjoyed crawling inside the skin of an arrogant man and experiencing his side of things.

While I was tapping into my shadow self, exploring Dag’s character, or lack thereof, and having a damn fun time doing it, I was aware that I was composing the dreaded “unlikable character.” Does it help that Dag gets his in the end–big time? Apparently not. The readers have spoken and, except for a few outliers: they hate my main character, and therefore, some of them don’t like my book.
Fair enough, but despite this (small) chorus of disapproval, will I censor my creative impulses moving forward and consciously create more “likable” characters? Hell, no. For one thing, I love Dag. Yes, he’s an a-hole, but he has his weaknesses: mainly women. Behind the confident veneer, he’s a scared little boy. Does that make him somewhat lovable? Apparently not. Suddenly, I’m reminded of all those romance books with the “cocky” love interest.

Anyone remember #cockygate? Why are those books featuring insufferable a-holes so immensely popular? To quote Nigel from Spinal Tap, they “did a twist on it.”

In that time-tested formula, the female character tames the wild beast, reining in his wild ways until he’s fully strapped into double harness and driven down the aisle toward wedded bliss. My story doesn’t quite turn out that way. It’s horror, which means it ends in death–like life. Mwahahaha!

I write flawed protagonists. I always have. It could be because I am all too aware of my own flaws, fears, and, at times, incapacitating insecurities. But these are the treasures I mine when I write. So, no. I won’t stop adding to my stable of gargoyles. I can’t wait to release the next one from their lair.
Do you require a “likable” main character to enjoy a book, or do you, like me, realize we’re all pretty unlikable at our cores? I’d love to know what you think.

Curious about CARNI? You can pick it up for FREE today on Amazon Kindle.

Book Worms Call For Submissions!

Poetry, Fiction, and Essays for My Bloody Valentine Winter Issue

Book Worms Zine is selling out on Etsy and the reviews have been overwhelmingly positive. We have another issue planned for Winter 2024. This time around the theme is My Bloody Valentine: dark love stories, Tinder dates gone horribly wrong, bitter romance, a lover’s revenge, tragic love, etc. Dark humor is okay, but it should fit the themes of horror and romance. Specifically looking for original poetry (any length).

Submission Guidelines

Deadline: January 1, 2024

Payment is 8 cents a word for fiction and essays (1500 words or less). $25 – $50 per poem (depending on length). Includes one contributor copy.

No reprints or multiple submissions please, including poems. Exclusive rights for six months after publication.

ACCEPTING MAIL-IN SUBMISSIONS ONLY!

Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

*In the past, we’ve made some special allowances for writers living outside the USA. But due to the overwhelming amount of submissions we receive, we are now only accepting mail-in submissions.

Acceptance notices are sent through email so there is no need to include a self-addressed, stamped envelope. Please include your email address with your submission. All submissions must be typed (cover letters preferred but not mandatory) and be properly formatted.

Be sure to check out the Book Worms Horror Podcast and follow us on Instagram.

One Year on Kindle Vella

Is it worth it?

Kindle Vella’s first anniversary has rolled around to little fanfare. Do readers even know about it? I probably wouldn’t if I didn’t have stories on the platform. I rarely participate as a reader–yet. That could change. Before Vella launched, I deleted my Wattpad account despite being one of the platform’s “star” authors and winning a Watty award. That decision was complicated, but mostly I closed shop on Wattpad because it was holding me back as a writer, meaning it was time to stop giving away my work for free and take a more robust leap into earning money for my creative efforts. In that respect, Vella has paid off handsomely. I’ve made thousands of dollars on the stories I transferred from Wattpad to Vella, however, most of these earnings came from Amazon’s bonuses, not organic readers. That score has been pitiful, as I imagine has been the case for most writers crowding onto that platform. The top performers on Vella either already have a solid readership base eager to follow their stories anywhere–I recognize a few famous names among them–or have a hell of a PR campaign. There may also be some organic growth there, especially among the evergreen romance genres. My epic fantasy story, Starlex, was one of the first of its kind on Vella and had a great launch, which unfortunately lost steam as more authors jumped on the bandwagon. If Amazon is encouraging uploads to grow its content base, it appears to be working.

I won’t attempt to decipher the Amazon algorithm, but based on the bonuses I’ve received, it seems to reward frequent uploads over organic reads. Completed stories become quickly dead in the water, which leads to the question of how best to promote them. Sales savvy authors will figure out a way, but most of us seemed to have drifted to the usual Facebook groups where “promotion” boils down to “I’ll read yours if you read mine.”

There is a fine line between showing another indie author “support” through authentic reads and scrolling through their content, marking each episode with a thumbs up, and posting a screenshot to prove you’ve “read” it. Authors can undoubtedly be readers of other indie works–I certainly am–which is where the fine line comes into play. I welcome another indie’s opinion of my work and am happy to do the same, but I don’t want someone “unlocking” my episodes in exchange for the same. I want readers who actually read my episodes and enjoy them. The practice seems very much like review swapping, which is not only against Amazon’s policy, but also pretty tacky. That’s not the way to find readers.
Vella’s future is difficult to predict. Amazon seems to have modeled some of Vella’s designs after Wattpad–the token system in particular, but their interactive features are lacking. The poll never works when I try to implement it, and I do miss Wattpad’s social interaction and direct contact with readers and other writers.

Has it been worth it? For the money I’ve earned, I suppose so. It will be interesting to see how Vella will develop and how many authors will drop out once the bonuses stop. I plan to finish up my fantasy series on Vella–I’m currently on book two–and maybe write some romances under a pen name as an experiment.
Do you have a story on Kindle Vella, or do you use the platform as a reader? I’d love to hear about your experience, so please leave a comment below.

Goodreads Book Giveaway

Red Masquerade

by R. Saint Claire

Giveaway ends July 25, 2022.

See the giveaway details at Goodreads.

Enter Giveaway

Another NaNoWriMo Win and Why I Left Wattpad

It was down to the wire, but I was able to complete my NaNoWriMo project this year. It wasn’t the most ideal time to write a 50K word draft (is it ever?), but I was happy I didn’t give up. It will require another 20K words to flesh it out. I’ll get there, but until then, into the file drawer it goes.

I had fun writing my V.C. Andrews’ inspired melodrama, but there are a few other projects now requiring my attention. I hope that when I return to Black and Blue Ivy in a few weeks, it will be with fresh eyes and insights and I won’t run screaming with horror at what I’m reading.

Speaking of horror, I’m working on two projects now (besides getting Served Cold up and running). One is a short Christmas horror story I hope to have up on Amazon by next week, and the other is Code Red, the vampire novel for which I won a Watty last year.

I suppose now is as good a time as any to confess that I’ve left Wattpad for good. It is with no animosity. I was honored to win their top prize and to become a Wattpad “star,” but it got to the point where I wasn’t really growing on that platform. It was, however, a wonderful place to develop my writing skills and grow confidence.

My decision to leave was based on a few factors. One, I wasn’t participating as much as I used to and I found that another social networking platform was draining my time and energy. Two, after five years on the platform, I found there was little to no transfer of readers from that site to purchasing my books on Amazon. Even with over half a million reads and tons of active engagement with readers, I could barely convince them to sign up for my newsletter. Wattpad readers like to read stories for free. There’s nothing wrong with that, but I got tired of giving away my work for free, which leads me to reason number three. There comes a time when you’ve “‘practiced” enough and you need to enter a higher echelon of professionalism. In that respect, I felt that posting “good enough” stories on Wattpad was holding me back. In the month or so since I transferred two of my stories from Wattpad to Kindle Vella, they’ve already made over $500, so there’s that.

Still, I would encourage new fiction writers, as I was when I started five years ago, to consider Wattpad as a place to share their stories. I have no regrets for my time spent there. I just knew it was time to make a change. If everything goes as planned, Code Red will be released on Amazon in 2022, along with the seven or so other fiction projects I wrote during the Covid isolation months.

I’m looking forward to seeing what the new year holds.

NaNoWriMo – Prioritizing Writing

When it comes to my work schedule coinciding with NaNoWriMo, November, not April, seems to be the cruelest month.

I’ve participated in the novel-writing contest five times and “won” twice, although I completed all of those books eventually.

So with no one pressuring me except myself, I shouldn’t despair too much about my lagging performance in this year’s NaNoWriMo project, a gothic romance inspired by my love for V.C. Andrews titled Black and Blue Ivy.

Still, as always when I find myself in the middle section of any work in progress, frustrations set in. I’ve written enough to know those imaginary gremlins mocking me from computer screen, tempting me to scroll through Facebook or Instagram to “relieve some stress,” are part of the process.

I was definitely seduced by this beautiful new cover by Consuelo Parra.

Still, I have to concede it would have been far smarter to just complete my horror novel, Carni, instead of starting an entirely new project. Shamefully, I admit to being seduced by shiny object syndrome, the erroneous belief that a new project will not yield any of the angsts and frustrations I inevitably encounter any time I sit down to write, that somehow the words will effortlessly flow from brain to keyboard, perfection from start to finish. Of course, that’s pure folly which I’ve now discovered as I’m struggling to keep up with the daily word count of my new project while Carni (a killer clown ironically) taunts me from the sidelines.

Does it matter that no one is watching (or caring) and my mental gymnastics are mine alone to suffer?

Not really.

I am usually, creatively that is, quite productive, and although I write most days I do take off and then. For example, it doesn’t seem quite fair to force myself to remain in my monk’s cave and write when accepting a lunch invitation seems the better option. If wine is included then all bets are off.

What NaNoWriMo forces me to do (again, no one’s watching), is to make writing a priority, and therein lies the lesson.

Because of NaNoWriMo, I’ve stuck to an (almost) daily writing schedule despite being extremely busy. I don’t want to get overly confident and jinx myself, but even if I take Thanksgiving Day off, I think this year I just might cross the finish line.

How about you? Are you participating in NaNoWriMo this year? If so, feel free to add me as a buddy. We can spur each other on through the final stretch.

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Write The Next Sentence

Working on a new novel is always a bit destabilizing. You start off with what you think is a good idea, hopefully enough to galvanize the process, but then you reach the dreaded three-quarter section slump. My novels do tend to be on the shorter side, but I don’t see this one concluding for another twenty thousand words or so. I know where I want the story to get to, sort of, but how to get there?

While procrastinating before my morning writing session waiting for the caffeine to kick in, I often amuse myself by watching YouTube writing videos. There are some good ones out there, as well as some really bad ones whose advice you should never take. But among the videos I do find useful are the ones by Dean Wesley Smith. I’ve mentioned him before; the reason I like his advice is that he’s a pro who’s been there. He also put the idea of “writing into the dark” in my head. I read his short book on the topic, but honestly, you can glean enough from the videos to get the message.

I’ve written the past two novels, including my current draft, into the dark and I will probably never go back to outlining again. It’s not an easy process, but it’s a much more creative one. By not knowing what is going to happen next in my story, I am tapping into my creative brain, not the critical one. Now, that doesn’t mean a writer can’t get extremely creative inventing an outline, and I have approached writing that way in the past. But if all the creativity is spent on the pre-write, then isn’t getting the words down just an exercise in filling in the blanks? Many successful writers, I imagine, prefer outlining, but I’ve found it much more satisfying—and scary—to write into the dark.

As I approached this morning’s writing session feeling my way around blindly, hoping to grasp something familiar that will guide me to the light of sudden inspiration, that “aha” moment every writer lives for, I took Smith’s advice to not think too far ahead. Just write the next sentence and then write the next one.

So, I did that until I had written 1700 words in less than an hour. I feel pretty good about it, and not only that, during my writing into the dark session I found an entry point to the next scene I hadn’t thought of before. This is the value, and the joy, of discovery writing. It’s the essence of creative writing. When you get stuck, just write the next sentence.

It worked for me. If you’ve ever tried this approach or if you’re dead set against it, please leave a comment below. I’d love to hear your thoughts on the subject.

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