Summer Reading & Writing

Cabin in the Woods

I just returned from my first summer getawayโ€”and it was lovely. I’ve been renting this cabin on Lake Nockamixon for the past few years, sometimes as a solitary retreat in the dead of winter (which is actually one of my favorite times to go). But this year, it was more of a family affair.

I grew up in the country, so itโ€™s in my soul. Coming from a large family that could, at times, feel chaotic, I used the woodsโ€”and climbing tall treesโ€”as my emotional escape. Nothing soothes my nerves quite like a deep, quiet forest.

Honestly, I could easily become a hermit. I dream about it constantly. Maybe my dream doesnโ€™t include the insects or the occasional field mouse, but Iโ€™d still take that kind of pest over the human kind any day.

Am I confessing to misanthropy? Not at all. I love peopleโ€”but I love solitude more. Itโ€™s just the way Iโ€™m built. We all need to honor our natures, and mine craves quiet, natural spaces for comfort and restoration.

My childhood home

Perhaps this is one reason I became an avid reader as a kidโ€”often perched up in a tree. Escaping into fantasy might not be the healthiest coping mechanism, but itโ€™s far less destructive than many others. Writing, self-expression, creating plays and stage personaeโ€”none of thatโ€™s really changed. They’re all ways of coping, I suppose, if you dig in a bit deeper, but I’ll save that for my therapist.

Naturally, I brought books with me to the cabin, along with my sketchbook to indulge my latent (yet still sadly undeveloped) drawing talent, and my guitarโ€”which I barely strummed the entire time. I have a notebook full of unfinished songs, but since Iโ€™m too shy to play around anyone, so finishing them will have to wait for the next solitary retreat.

But I did read. I’m currently indulging in a Richard Laymon read-a-thon Iโ€™m hosting on my YouTube channel with some BookTube pals. Extreme horror/splatterpunk is a genre I only dip into occasionallyโ€”for obvious reasons. Itโ€™s often gross, absurd, and, yes, frequently misogynistic. So, why was I the one to suggest this read-a-thon in the first place? LOL! Who knows. Go with it. I love a good gory drive-in movie in the summer, so Laymon it is. I’m on my fourth novel this month. Iโ€™d love a dollar for every โ€œrumpโ€ and โ€œturgid nippleโ€ Iโ€™ve come across, but heyโ€”Iโ€™m having fun. I may need to cleanse my palate with a cozy mystery when itโ€™s all over.

Long summer days tend to bring out more focused writing in me. As a lifelong early riser, I try to knock out at least a thousand words each morning on my current work-in-progress. I recently released two YA romance novellas, and Iโ€™m now finishing up Book Two of an epic fantasy series that I still canโ€™t believe I challenged myself to write. But here we are.

Thatโ€™s my summer so farโ€”and my summer plans. But as we know, life can change in an instant. All we can do is enjoy the day we’re blessed with.

Hope yours is a good one.

New Fiction – Click to View

New Horror Novel Release!

It’s curtain time for FINAL DRESS, my latest adult horror novel set in my favorite world- the theater! Having worked in the theater my entire life and continuing to work part-time at my local regional theater, it was a thrill to explore this environment in a slasher story. I’ve been thinking about writing a horror story set in the theater since the 80’s when I was a young Thespian experiencing the thrill of my first starring role. The play was Agatha Christie’s The Mousetrap, and I played the role of Miss Casewell to the hilt, complete with a man’s suit and tie and fedora, a cigarette dangling from my lip. I’m sure my English accent was dreadful, but I know I gave it my all and had a blast doing it.

The author as a young Thespian, making the most of her role.

The theater was in an old barn on a country road; as far as I know, it’s still standing. As a young Thespian, I recall navigating the backstage environs, including the costume stock stored in the old hayloft, and thinking it would be a perfect location for a horror movie. My older sister, a fellow Thespian, and I discussed, over many clove cigarettes, writing a screenplay called Horror at Summer Stock. The story had some hilarious scenes, including a runaway killer forklift as the ultimate Deus ex machina.

Our fantasy screenplay vanished with the summer winds, and the forklift didn’t make it into Final Dress, but a backstage Genie lift did, along with some other theater “inside jokes” that my theater friends will giggle at, but which any reader can hopefully appreciate. Final Dress, along with my hillbilly vampire romp, CODE RED, definitely lands under the category of “fun” horror, in the same way those old 80s slasher classics are good for a laugh but never fail to give a thrill.

So, buy a ticket to FINAL DRESS, and try to survive till the curtain falls!

Halloween Haunts and More!

New Release!

Halloween has turned into a holiday as bustling as Christmas, which is probably why Iโ€™m finally getting around to sharing my thoughts on the new collection I launched at the beginning of October. At least I managed to release it just in time for Halloween! Iโ€™m thrilled to share that the collection, which includes five short stories and a novella, hit the number one new release spot on Amazon in its category. Thatโ€™s definitely encouraging! This collection is designed for teens and young adults, focusing on all the fun chills without diving into anything too gory. If youโ€™re on the lookout for some cozy companion stories for those chilly October nights, Iโ€™d love for you to check out Halloween Haunts, only 99 cents for the ebook during the month of October!

Too Much Exposure?

If you’re an artist or a creative individual, you won’t want to miss the latest episode of The Right Brain Cafรฉ podcast, produced by my Book Worms partner, James DeFeo, and me. This week, we dive into a crucial topic: the ongoing pressure artists face when deciding between working for exposure versus earning money. Is exposure truly beneficial, or does it undermine the value of your craft? Join us for an insightful discussion that could change your perspective on the choices you make in your creative journey.

While you’re busy with your Halloween shopping, donโ€™t forget to pick up our Halloween issue of Book Worms Horror Zine! It features stories by Grady Hendrix, author of “Paperbacks From Hell,” and popular horror writer Clay McLeod Chapman. Issues are selling out quickly, so be sure to get your copy today!

Finally, please leave a message about how you plan to spend Halloween. Do you dress up, attend parties, or turn off the lights and hope to avoid any mischievous tricks? Whether you celebrate (or not), please have a haunted good time!

New Release!

Get Your Ticket to a Terrifying Thrill Ride!

My new novel CARNI is out and available on Amazon in print and ebook. Here’s the premise:

Meet Carni, your master of ceremonies in a carnival of terror!

In the grip of public disgrace and desperate to resurrect his career, journalist Dag Altan stumbles upon a compelling lead that could be his ticket to redemption. A captivating encounter with a bewitching young woman, consumed by an eerie fascination with a once-thriving amusement park now desolate island, ignites Dag’s journalistic instincts. Drawn to the enigma of the abandoned location and the unnerving series of deaths surrounding it, Dag plunges headfirst into the heart of the story, utterly unaware of the peril awaiting him.

As his investigation intensifies, Dag becomes entangled in a treacherous web of dark secrets, where the line between reality and nightmare blurs. At the center of it all stands the elusive figure known only as Carni. Initially perceived as a mere legend, Carni soon sheds his mythical cloak, morphing into a living, breathing embodiment of terror. With each step Dag takes closer to the truth, Carni’s presence grows more palpable, and the menacing game he plays becomes grimmer.

As the carousel of confusion spins ever faster, Dag finds himself ensnared in a captivating yet chilling spectacle. Can he outmaneuver the sinister forces at play, or will he join the ranks of those consumed by the sinister grip of Carni? In this heart-stopping tale of suspense and terror, Dag Altan races against time to expose the true nature of Carni before he becomes the latest victim in this nightmare realm.

Book Worms – New Horror Zine

Book Worms, a new mail-order only horror zine, is now available for purchase online and at selective indie book stores. If you like old-school fan zines, check out Book Worms for only $5 an issue (USA shipping cost included). In Book Worms you’ll find engaging articles, reviews, short stories, puzzles, art, and all kinds of (cheap) horror fun!

SCAN CODE to BUY or click
on image to access link!

Write for Book Worms!

Currently accepting submissions for our Halloween issue.

Deadline: September 15, 2023

Payment is 8 cents a word.

No reprints or multiple submissions please. Exclusive rights for six months after publication.

Mail new horror fiction and essays (Halloween themes please) under 1500 words to:

La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007

Acceptance notices are sent through email so no need to include self-addressed, stamped envelope. Please include your email address on your submission.

Check out our new Book Worms Horror Writing Podcast!


Book Review – Gothic by Philip Fracassi

Cemetery Dance โ€“ Feb. 2023

Tyson Parks, a washed-up horror writer huffing the last fumes of his former successes, endures a humiliating meeting with his editor. His new novel is crap, unacceptable. Why canโ€™t he produce the hits like he used to? Tyson promises a rewrite but knows he doesnโ€™t have it in him. Worse, heโ€™s already spent the advance. Pushing sixty, bordering on alcoholism and debt, how long can Tyson hang on to the comfortable life his fading talent secured for him? Desperate men are dangerous in fiction. So are long-suffering women who only want to help.

Enter his live-in girlfriend Sarah, a woman of taste with money of her own, whom Tyson worries will any day now see him for the fraud he is. But Sarah hasnโ€™t given up on Tyson. In fact, she surprises him with a gift for his 59th birthday: a valuable antique to replace his worn-out writing desk. This piece of Gothic artwork, an 18th-century occult altarpiece, may give him the inspiration he needs. Of course it does, but as in all good horror fiction, there is a heavy price to pay. Flush with his second-act success, Tyson becomes a willing vehicle for an ancient, unspeakable evil.

Fracassiโ€™s Gothic is awash in familiar horror tropes: the Faustian bargain, the cursed object with a dark history. I was instantly remindedโ€‘gleefully soโ€‘of In the Mouth of Madness, Trilogy of Terror, and Rosemaryโ€™s Baby. Even the setting feels like something out of an Ira Levin story, evoking the simple pleasures of a bygone New York: jaunts through the Strand bookstore and Met museum, martini-fueled power lunches, sparkling cocktail parties at tony townhouses. The novelโ€™s historical section, brief but effective, references M.G. Lewis and Horace Walpole with its damp subterranean crypts, dripping vaulted ceilings, and creaking iron gates. The altar, black basalt stone with unusual carvings, is the creation of a powerful magician who has an equally powerful adversary. Back in the present, a mysterious woman is desperate to retrieve her familyโ€™s lost artifact before its evil can be released into the world. Words have power, we are reminded, and destruction can be communicated through the latest bestsellerโ€”that is, if the public even reads anymore. We can only hope.

Horror fans will appreciate the homages to King and Poe, among others, but the winks and elbow nudges never eclipse the spine-tingling suspense or moments of glorious gross-out gore. Built on a solid structure, Gothic holds up the weight of its more giggling-inducing moments with aplomb. I laughed at the climax, but in a good wayโ€”the laughter at the final bend in the roller coaster. I know a book is good when I want to start the ride all over again. Minor characters are skillfully drawn, padding out a believable world in which I was happy to lose myself for a few days. I can easily see Gothic made into a blockbuster movie, bolstering my faith that classic horror can always be revived. Five enthusiastic stars!

Happy Vamptember!

My vampire novel CODE RED is now for sale on Amazon.

I will probably be selling it on other platforms too, but for now, you may buy it in ebook and print. Also, if you’re on NetGalley, you may download a free copy through October. I proud of this book which began as a Wattpad story and ended up winning a Watty award in 2020. Here’s the premise:

The Vampires are Running the Asylum!
Wormwood Asylum, a private mental hospital located in Southwest Virginia, specializes in treating adolescent psychoses, including Renfieldโ€™s Syndrome, an obsession with drinking blood. But when a young man is committed to Wormwood because he believes heโ€™s a vampire, it turns out he wasnโ€™t lying, and soon rapacious revenants are running rampant through the rural mountain community. To fight the blatant bloodsuckers, the local sheriff teams up with a candy striper and her moonshiner grandpa, who just happens to have an arsenal of war-grade weapons stored in his prepper bunker, for a bloody country hoedown of epic proportions.

To celebrate my take on vicious vamps, I thought I’d share my favorite vampires in lore and legend. Not the most original list in the world, but here goes.

Barnabas Collins

Like many from my generation, Dark Shadows, was part of our daily routine. A soap opera fully steeped in campy Gothic tropes, the show lasted for a good chunk of my childhood. The feature film based on the series, The House of Dark Shadows, was the first horror film I was allowed to see when I was a kid and it scared me to bits–in reality, I was a bit young for it, but I’ll be forever grateful for my older sister who dragged me along and turned me into a horror fan forever chasing that first high. Just the other day, I discovered a Dark Shadows book and comic bonanza at my local antique mart and rejoiced at adding to my collection. Perhaps one day I’ll happen upon the elusive Dark Shadows Cookbook we decimated as children, now selling for hundreds on eBay. As far as I’m concerned the Tim Burton travesty doesn’t exist.

Carmilla

I’m late to Carmilla, having only read it last year, but man, it did not disappoint! Sheridan Le Fanu’s novella about an ancient aristocratic vampire with Lesbian tendencies has a titillating premise, but to be fair, the sexuality is as subtle as a cool whispered breath on a fluttery bosom. What I enjoyed most about the story was its slow burning Gothic atmosphere. Its influence on Stoker’s Dracula is quite obvious. This is a creepy story I will return to each fall while spending a holiday at a haunted Austrian castle or at least a misty morning in my neighborhood graveyard.

Lestat

I discovered Anne Rice’s Interview with the Vampire when it became a paperback sensation in the 80’s and I immediately fell in love with the seductive Lestat de Lioncourt (as did Batilda). I was less impressed with Tom Cruise’s performance in the film adaptation. It wasn’t his fault he was miscast, but his performance and the film has grown on me with subsequent viewings. In the decades since I discovered this classic, I’ve been slowly working my way through The Vampire Chronicles. Rice’s lush, meandering prose can prove frustrating at times, but what an incredible character she created in Lestat. His seductions are immortal.

Dracula

All roads lead back to Drac, but which incarnation is best? I confess, it took me two reading to appreciate Stoker’s novel. Now, it shares a shelf with Frankenstein, the fraternal twins of Gothic literature. There have been so many film and television adaptations, from the ridiculous to the sublime, but I think the original silent Nosferatu comes closest to doing the Count justice. He’s a weirdo, and not as seductive as some renditions–Frank Langella’s coifed 70s styling comes to mind–would suggest. In truth, I love each portrayal for different reasons, with a particularly fondness for Gary Oldman’s seductive count, but now when I read Dracula, it is Max Schreck’s version I envision. His is a different kind of seduction. Not quite human, here is a monster whose talent for inspiring fear and fascination can never be matched.

Do you have any favorite vampires? Please comment below and let’s share notes. Vamp on!

New Release!

Writing Goals

One of my goals for 2022 is to release new fiction (a short story, novel, novella, anthology, or collection) every month. So far, I’m right on target. I even began a month early with Served Cold, the second horrortube anthology, which was released in December.

Speaking of Served Cold, here is a guest blog post I wrote for horror author Nicholas Kaufmann’s blog, in which I examine what’s scary about producing an anthology. It’s a bit tongue in cheek, but not completely. Writing is general, can be pretty scary.

Scares, of mostly the internal kind, are what I explore in Women in Trouble, a new collection of female-themed horror. Some stories have been previously published, but there are quite a few new pieces included. It’s been out about a week. If you enjoy psychological horror, as well as a few supernatural chills, please check it out. Here is an excerpt from the foreword written by fellow horrortuber, Lydia Peever.

Trouble transcends the traditionally feminine hereโ€”be it physical, psychological, or perceivedโ€”and brings us to a more modern stage but with roots in timeless sensibility. This is the signature of Saint Claire.

Below is a video where I discuss Women in Trouble, and other new projects coming in 2022.

I’m going to keep this post short today because I’m currently editing my next release, a young adult paranormal romance. If you’d like a sneak peek, the first book in the series is currently on Kindle Vella and doing quite well on that site. If any other writers are trying out Vella, I’d love to hear what you think of it so far. Please leave a comment and we can compare notes.

P.S. To receive a free digital copy of all my new releases, including Women in Trouble, consider becoming a patron.