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Reviving Creativity: My Journey Back to Writing

After a little hiatus where I did a little more (creatively, that is) than post my daily outfits on TikTok, which was quite fun actually, I’m finally getting back to business and back into writing. Honestly, I needed a break, and now that my creative coffers are full again, I’m thrilled to share this new book that I started maybe three(?) years ago as a serial for the short-lived Kindle Vella. After reworking it a bit, I’m proud to get this baby out there. Black and Blue Ivy is a YA gothic story about a girl who travels from the tough streets of Kensington, Philadelphia, to a home for wayward girls, then eventually lands in Providence House, the sprawling estate of a wealthy family in Philadelphia’s Main Line. If you know anything about gothic novels–especially the V.C. Andrews ones, which were an inspiration for this book–then you’ll know that’s when the trouble for our main character really begins. 

There are religious themes in this story, which reflect–and challenge–my own Catholicism. I was thrilled to see the book reach #1 New Release in Teen and Young Adult Christian Social Fiction. I didn’t even know there was such a category, but I’ll take it. Please note, there is nothing preachy or proselytizing about this work, so atheists and other (fill in the blank) are welcome to partake. If there is a religious theme, it has more to do with examining and weeding out hypocrisy than anything else. I strongly believe writers should explore ideas that are important to them. That what makes a voice unique and interesting.

There is a disturbing trend in publishing today where it’s all about hitting the right “tropes.” If I’m not mistaken, “trope” used to be considered a negative term, a cliché, but it seems to have evolved to be synonymous with conventions, which is the term I prefer. I used plenty of gothic conventions in Black and Blue Ivy: the Jane Eyre orphanage and awful neglect, the tony mansion hiding diabolical secrets, the creepy housekeeper, the list goes on. My homages to V.C. Andrews, including a metaphor of powder sugar on doughnuts, abound. There’s also an attic or two. But this story is my own, meaning it comes from my own twisted (at times) heart. I’ve certainly given it my own spin, and with so many changes happening in publishing: the seemingly almost daily AI scandals, the bizarre AI witch hunts on Threads, the fact that “tropes” seem to be telling the stories, not the writer/creator, and the head scratching that goes along with why the hell is this book popular–yes, Romantasy I’m looking at you! Well, you get the picture. 

I needed the break, and I’m excited to be creating again. I’m heading over to my studio this morning to record my first YouTube video in about six months. It’s good, no, it’s great to be back! 

*Watch my first video in six months:

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My Midnight AI Confession

Back when we were shooting Gemini Rising during the digital stone age, I recall the habitual stoner guitarist Jah (beautifully portrayed by Matt Fischer) improvising a line of dialogue that proved to be quite prescient nearly twenty years later. 

AI has become inevitable, and, like the switch from vinyl to cassette, I’m not sure how I feel about it. The problem is, no one asked me then, and certainly no one cares now.

It’s everywhere and has been for a while. But more and more, I see it encroaching on the creative space like some kind of Cthulian (try writing that one without spellcheck) vaporous monster. Apparently, you can write an entire shitty (romance? tee-hee) novel using it, upload it to Amazon along with an equally shitty cover, and rake in the cash. As an indie author who’s yet to hit “Shrimp” status on the 20Bookto50K Facebook Group, it’s, frankly, tempting to create a new pen name, feed the A.I. monster, and have it spit out next month’s PECO bill.

There’s only one big problem with that: it’s not why I write, not why I create. To quote a genius who’s inspired centuries of writers: I cannot heave my heart into my mouth enough to fake that. And also, I enjoy the writing process too much to take that leap.

So, have I ever used AI? Full disclosure, yes! I’ve run my prose through Grammarly for years. It’s good at catching errors that slip by my blind spots, although I typically ignore its stylistic suggestions. And most recently, I’ve asked Chatgpt to “tighten” the ad copy for some of my Facebook posts, and although it’s been enlightening to see how much I suck at writing ad copy for my own books–much too humble and beseeching, I see how my friendly chatbot assistant could be as seductive as a gorgeous secretary in a sleazy 70s potboiler when it comes to “expanding my ideas.” So far, I’ve resisted, although a reviewer recently accused me of using it in a book written before I’d ever heard of generative AI. For the record, I’ve always used em dashes (although I prefer parentheses). 

It’s a weird time, and I’m not militant, like some of my peers, about other authors using it. I get it, and I also get that books written by real people are better. And speaking of sleazy 70s potboilers, I’m currently chewing my way through a well-thumbed copy of Sidney Sheldon’s The Other Side of Midnight and loving every minute of it. 

Okay. One last AI confession. While burning the midnight oil the other night, I cheekily asked ChatGPT to create a portrait of the characters from my soon-to-be-released novel, Black and Blue Ivy. I fed it the character descriptions, asked it to make a picture resembling an old V.C. Andrews cover, and this is what it spit out. And frankly, I’m astonished (and frightened) at how closely these characters resemble the ones formed in my head now committed to the page. Dare I use this image in my promotional materials? 

I admit, it’s tempting. Would I prefer hiring a real artist for the job? If I had thousands of extra dollars lying around I would, but I’m already spending hard-on money on actual cover designers, line editors, ad creators–real people with real skills whom I’m happy to hire for the job. But this picture is so cool. It sums up the theme and style of my story so well, and if it got eyeballs on my book… Again, seductive.

As you can plainly see, I’m somewhat torn. Are the La Résistance authors who blatantly refuse to engage in anything AI and who love to call out anyone who does the true heroes, or are their careers destined to perish on the barricades while the robots take over?

I don’t know, and I’m frankly a bit scared to find out. In the meantime, I’d love to hear your honest thoughts about this topic. 

*No AI was used to write this post. All awkward phrasings and clunky metaphors are my own. 

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Flowers in the Attic: The Origin

Worth the watch!

Like many of us, I have my unique “critter comfort” media that I love but wouldn’t necessarily recommend it. I learned my lesson back when I was a teenager and recommended the drive-in horror flick, Dead and Buried to someone and never heard the end of it. The same could be said for the original Phantasm or dozens of other beloved “cheesy” horror and Lifetime movies. I love “camp,” and I always have, but I realize I’m in the minority, and I’m okay with that. Camp aside, I recommend Lifetime’s newest VC Andrews’ inspired series, Flowers in the Attic: The Origin, to anyone who enjoys a good family drama that’s well-acted and directed. The writing is excellent, and the settings and costumes bring the series to life.

Yes, there are changes from the book it’s based on, Garden of Shadows, the final book in the Dollanganger series penned by Andrews Neiderman from VC Andrews’ notes. The most significant casting addition is Foxworth Hall’s maid Nella. What could have been just a throw-away character to add padding to the four-part series greatly enriches the story thanks to good writing and performance by T’Shan Williams–a mostly musical theater performer. Well, she has found a new fan in me because I couldn’t keep my eyes off her. Some of the other changes included a “forbidden” gay relationship and a sub-plot concerning a mix-up of poisonous herbs and marijuana, which worked for the most part, although the animal slaughter scene was a bit over the top, even for me.

I’ve also developed a serious crush on Max Irons who plays the devious and dastardly Malcolm Foxworth. Discovering he was Jeremy Irons’ son only deepened my obsession. This is a series I will return to many times.

Unlike the cringe performances, clunky dialogue, and anachronistic costumes of former VC Andrews’ fair, it’s clear that money was spent on this production. I’m happy to see it, and I hope Lifetime continues to produce such excellent VC Andrews content. A little bird told me the Cutler Series is in the works. I can’t wait!

Check out my video review of the series. Have you watched it yet? If so, please leave a comment and let me know what you think.